Comments on: Learning Atonal Music http://www.michaelkaulkin.com/learning-atonal-music/ Composer and Teacher Wed, 18 Jan 2012 19:12:44 +0000 hourly 1 http://wordpress.org/?v=3.3.1 By: GENE FAVATELLA http://www.michaelkaulkin.com/learning-atonal-music/#comment-149 GENE FAVATELLA Sun, 17 Feb 2008 23:52:08 +0000 http://www.aboutthecomposer.com/blog/archives/170#comment-149 MUSIC OF THE FUTURE MUSIC OF THE FUTURE

]]> By: GENE FAVATELLA http://www.michaelkaulkin.com/learning-atonal-music/#comment-148 GENE FAVATELLA Sun, 17 Feb 2008 23:49:51 +0000 http://www.aboutthecomposer.com/blog/archives/170#comment-148 MY GOALS ARE CHORAL MUSIC AND IMPROVISION MY GOALS ARE CHORAL MUSIC AND

IMPROVISION

]]> By: GENE FAVATELLA http://www.michaelkaulkin.com/learning-atonal-music/#comment-147 GENE FAVATELLA Sun, 17 Feb 2008 23:47:48 +0000 http://www.aboutthecomposer.com/blog/archives/170#comment-147 THANKKS FOR THE INFO. THANKKS FOR THE INFO.

]]> By: GENE FAVATELLA http://www.michaelkaulkin.com/learning-atonal-music/#comment-146 GENE FAVATELLA Sun, 17 Feb 2008 23:37:25 +0000 http://www.aboutthecomposer.com/blog/archives/170#comment-146 ON MY DIGITAL PIANO , BEEN PUTTING SETS OVER A LONG STRING SOUND (BASS)THE ENTRANCE NOTE IS GOOD. THE O SET, RETROGRAGE, INVERSION AND THE RI. ALSO , YES LEARN BY SINGING IN SETS OF 2'S - 3,S - 4,S AND 6. THANKS FOR THE CONFIRM-! ON MY DIGITAL PIANO , BEEN PUTTING SETS OVER A LONG STRING SOUND (BASS)THE ENTRANCE NOTE IS GOOD. THE O SET, RETROGRAGE, INVERSION AND THE RI.

ALSO , YES LEARN BY SINGING IN SETS OF 2′S – 3,S – 4,S AND 6.

THANKS FOR THE CONFIRM-!

]]> By: chris sahar http://www.michaelkaulkin.com/learning-atonal-music/#comment-145 chris sahar Wed, 17 Jan 2007 19:03:10 +0000 http://www.aboutthecomposer.com/blog/archives/170#comment-145 That essence of the method -- hold a "tonal center' while the singer sings different pitches is a technique used by choral conductors to assist singers in warming up. Oftimes, the choir will build chords progressively further from the ground given or the pianist will shift to the new suggested tonal center. I believe the choral director over at Westminster Choir College used this extensively. That essence of the method — hold a “tonal center’ while the singer sings different pitches is a technique used by choral conductors to assist singers in warming up. Oftimes, the choir will build chords progressively further from the ground given or the pianist will shift to the new suggested tonal center. I believe the choral director over at Westminster Choir College used this extensively.

]]> By: Chris http://www.michaelkaulkin.com/learning-atonal-music/#comment-144 Chris Tue, 16 Jan 2007 08:14:56 +0000 http://www.aboutthecomposer.com/blog/archives/170#comment-144 I loved Modus Novus as an undergrad. I still look at it from time to time. It's just that that sing-by-interval, decontextualized approach isn't always appropriate. There was a companion to that book - the title of which escapes me now - of tonal pattern. I loved Modus Novus as an undergrad. I still look at it from time to time. It’s just that that sing-by-interval, decontextualized approach isn’t always appropriate.

There was a companion to that book – the title of which escapes me now – of tonal pattern.

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